#and I feel kinda bad about it

[mythological-mayhem]

I love Aztec mythology because where else can this shit happen:

(Note that "you" doesn't really refer to a singular god, I'm using it as a replacement for the god's name in several situations)

-Your brother hits you out of the sky with a stone club because he was pissed off you destroyed humanity

-Your wife got seduced by Tezcatlipoca because he didn't want you being the sun

-You were just born and your mom goes "Woop haha your sister and like four hundred brothers are here to kill you"

-You're a fucking SNAKE that invented WRITING (no you don't have hands, don't ask about it)

[a-polite-melody]

“But if a trans man wasn’t trans would he—”

SHUT THE FUCK UP

He is trans.

You don’t get to separate the trans and the man because it’s convenient for you. Trans men are men because they are trans. Trans men are trans because they are men. You can’t just separate trans men’s identities out like this to say they’re oppressed for being trans and not men because THOSE ARE THE SAME THING and separating them to categorize how trans + man interact in a mathematical version of identity politics flies directly in the face of intersectionality and I’m so tired of pretending it doesn’t.

[ryllen]

Older Sylus as actual dad 😭👌✨

[chiptrillino-art]

(ID in ALT text)

I know posting vice this year was a bit meagre. not every year is the same but at the end i am kinda happy by the drawings i managed to do this year. compared to last year its funny how sokka got into the spotlight more often this year. and even suki was more prominently featured. zuko watch out who knows if i even draw you next year~

i guess my main goal for next year is to finish wips... like every year. oh my -starts sweating-

recap 2022 . recap 2023

also tried out again to make the characters turn around.

very wonky far from the smoothest animation. but still fun to see.

thanks for sticking around for so long and happy new year. let's kick ass in the next year!!! -battle cry-

[sophfandoms53]

Anyway shout out to Dewey who constantly looked like he was having the worst time of his fucking life in the pitches

Just an 11 year old pissed off at the world it seems😭

[technically-human]

Confessional... things get complicated when you're a ghost.

@i-am-as-normal-as-you-are asked for, and this is a literal quote, "R!Edwin going to a confessional (full angst)" so yeah... full angst indeed.

[morganbritton132]

Thinking a bit more about this Steve Has Older Siblings AU I’ve got going on (here, here, and here). Specifically about Richard Harrington’s first wife, and two things:

1. She’s a saint. Theresa Kline (former Harrington) stood by her husband through multiple extramarital affairs but a not-quite-yet nineteen year old mistress with a baby was her breaking point. She bowed out gracefully.

Richard married his mistress and Theresa moved on. She never said a bad word about him to her kids or to anyone. She never spat an insult at the child that ruined her marriage or about her baby boy.

Though, she didn’t have to.

Her kids said enough bad things about Steve and his mom on her behalf to fill a book. They never miss an opportunity to remind Steve that while both their parents were from two of Hawkins’ more influential and wealthy families, his mother was a high school dropout homewrecker and a whore that didn’t love him.

Even after his siblings tried fixing their relationship with him, they all still take shots at his mom. Jason’s favorite analogy seems to be that him and his siblings are ‘purebred’ and Steve is a ‘mutt.’

Or, well. It was until Robin heard it and said, “Pure? Like the Nazi’s ideology?? Yikes.”

2. I realize that this AU does not really contradict anything important in the Officer Noodles (and also here) universe. You’d just have to make Angela Harrington Callahan’s little sister.

[alicornze7]

Silly guys goin' on silly adventures:]

@rorydrawsandwrites's puppeteer au but the only difference is that jax gives consent

My contribution to this wonderful au has been long overdue:')

Rambling in tags ehe (cw: ribbun:p)

Well maybe it's not the only difference

[soapyakships]

all niigo birthday art pieces COMPLETE!!

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[blorbologist]

Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.

I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.

... Bell's Hells still primarily rely on quest givers.

Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.

NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!

The problem is that Bell's Hells have never really not had a quest giver.

Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?

They're level 13.

At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.

At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.

While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.

Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?

The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.

Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.

Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.

It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.

This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.

They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.

[suja-janee]

(Mostly) Harumi centric doodle page for a friend

[ariariari-freehounreal]

When the test subject they told you was aggressive is actually just angsty and autistic

.

I figured if Wheatley were a human he would probably be part of a team that cares for test subjects. Which involves basic medical checkups and general wellness checks. Maybe in Chells case, since she’s so anti-social, he was tasked to be a sort of companion so they could get more information out of her for testing purposes. :3 he’s classified as a nurse and has basic training in it. But he’s not making sense because he’s kinda scared of Chell at first. She just thinks he’s weird and kinda smells bad.

.

I have a hc on why Chell is a test subject I’m just gonna try to write it here

Basically her mother was too young and poor to raise a child so she felt it better to put Chell up for adoption. The orphanage she was raised in was being used by aperture to scout out children with certain “exceptional skills”. They noticed that Chell was highly intelligent and a great problem solver, but had no interest in spending time with others. She had no friends. And none of the other children noticed or cared when she left. She was probably adopted by a high ranking scientist and raised for the specific purpose of testing. She has little concept of social norms or things outside of aperture because she was taken from a “normal” environment so young. [like. Before she was 10 maybe? Idk.] but it doesn’t mean she’s dumb or anything, she just doesn’t really get it yk. Sorry if this is actually so stupid and embarrassing ignore me

[cardo-de-comer]

lord of hints

[somnimagus]

My page for @kairizine. It was such a huge honor to be part of this wonderful book with everyone, I had so much fun!

[id in alt!]

[northernfireart]

you guys ask and i provide:]